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Showing posts with label Movie Review. Show all posts
Showing posts with label Movie Review. Show all posts
Friday, August 3, 2012

Jism 2 (2012) Movie Review, Story, Plot

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Jism2 Movie Review

JISM 2, an erotic thriller, is touted as the boldest film [in that segment] to hit the Hindi screen, but the question that crosses your mind is, does it boast of a captivating story as well? Do you carry the film and the characters in your heart once you exit the auditorium? Most importantly, do you reminisce about it? Does it have recall value? Or does one forget about it the moment the show concludes?

Although JISM 2 is the second installment of the 2003 hit that starred Bipasha Basu and John Abraham, there’s a huge disparity between the two films. JISM 2 is visually stunning, the aesthetics are just right, but the voyage of a woman from the lust bazaar who markets desire is far from perfect. The lackluster screenplay of JISM 2 is its biggest undoing!

The star of the show is, without doubt, Sunny Leone. People are looking forward to watching JISM 2 for Sunny, erotica and a generous dose of skin show, in that order. In fact, a wide section of moviegoers might frequent the cineplexes to watch Sunny alone, but for another segment it could be erotica. As the reels unfold, you realize that Sunny delivers as an actor. Unfortunately, the script doesn’t.

The other issue is that the story of JISM 2 unfolds at a leisurely pace, which shouldn’t be the case if it’s meant to be a thriller. Also, it gets too verbose and talk-heavy after a point, with Randeep Hooda’s character delivering idealistic lines that test your tolerance. Notwithstanding the blemishes, the fact remains, the curiosity to watch Sunny Leone will act as its savior.

A porn star, Izna [Sunny Leone], is entrusted the responsibility of luring a dreaded assassin, Kabir [Randeep Hooda]. The people behind the task are two intelligence officers, Guru [Arif Zakaria] and Ayaan [Arunoday Singh], who need to recover some vital data from Kabir. Izna has to confront her bitter-sweet past, but the problem arises when Ayaan falls in love with her. She has to make a choice!

There’s no denying that Pooja Bhatt has extracted an arresting performance from Sunny Leone. But the screenplay plays a complete spoilsport. This could’ve been a convincing take on obsession, vengeance and infidelity, but there’s hardly any movement in the story. Plus, a few questions remain unanswered [How does Sunny get into the porn trade? When does Arunoday have a change of heart and fall in love with Sunny?]. Besides, the film is stretched without much reason in its post-interval portions. Additionally, you don’t have compassion for any of the characters, as the film draws to a close.

The music of JISM 2 is soothing and soulful. The emphasis is clearly on melody here. The cinematography is top notch. The DoP captures the lush green locales of Sri Lanka magnificently.

Sunny Leone is dazzling to look at and has an incredible body, but does she deliver as an actress? To start with, Pooja has, very smartly, cast her as a seductress. Sunny’s gestures, body language, erotic scenes and sex appeal are, unquestionably, far more seasoned than most divas, who restrain a sort of hesitation when it comes to steamy scenes. She is scorching hot in JISM 2 and takes the heat percentage to an altogether different level. Sunny’s maiden attempt at acting comes across as confident and charming, but, at the same time, there is scope for improvement, especially during the emotional moments.

Despite Sunny and the hype adjoining her, Randeep enacts a pivotal character with aplomb. In fact, Randeep has lucratively carved a niche for himself, creating a space of his own with films like ONCE UPON A TIME IN MUMBAAI, SAHEB BIWI AUR GANGSTER and JANNAT 2. He pitches in another striking act in JISM 2. Arunoday tries hard, but is not convincing enough. Also, he is awfully awkward and ill at ease in sequences that require him to breakdown emotionally.

Arif Zakaria is a name you correlate with competent performances and he is effective in this one as well. Sumeet Nijhawan gets limited scope. Imran Zahid is hardly there.

On the whole, JISM 2 has Sunny Leone as its USP, but the lackluster screenplay and the sluggish pace act as deterrents. However, Sunny Leone in the driver’s seat, coupled with a generous dose of skin show and erotica, besides an attention-grabbing title, should act as a honey-trap to lure the audiences. But how one wishes this jism had soul as well!
Saturday, July 28, 2012

Kyaa Super Kool Hai Hum (2012) Movie Review, Story

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Exclusive Review

KYAA SUPER KOOL HAIN HUM brings the sex comedy genre back into focus. Designed with teenagers and young adults in mind, this movie is up to the brim with sexual innuendoes, adult jokes and impish humor.

But be forewarned… KYAA SUPER KOOL HAIN HUM is a zany entertainer that belongs to the ‘hardcore commercial cinema’ category, as we call them in film parlance, aimed at magnetizing the masses in hordes. It’s for viewers who are relentlessly thirsting for madcap amusement. It’s not for pseudo intellectuals, neither for fuddy-duddies or hard-nosed and stubborn evaluators, who persistently dismiss and disregard movies of its ilk as lowbrow absurdity.

KYAA SUPER KOOL HAIN HUM revolves around two friends, Adi [Tusshar Kapoor] and Sid [Riteish Deshmukh]. Adi is an aspiring actor who appears in tacky ads, while Sid is a DJ, who never gets the right opportunities. The story takes a turn when they venture on an adventurous trip to Goa to retrieve something invaluable.

Like I pointed out earlier, KYAA SUPER KOOL HAIN HUM is wicked and caters to young adults. In fact, even some skeptics, who laugh aloud while watching an AMERICAN PIE, should enjoy the ludicrousness and hilarity of KYAA SUPER KOOL HAIN HUM.

Don’t look for a path-breaking story here! From what one gathers, director Sachin Yardi yearns for audiences’ laughter at any price. Yardi has kept the narrative speedy all the way through and has integrated some clever lines to keep the hilarity alive. There are sooooo many hilarious episodes in the film and several naughty jokes as well. Also, a bucketful of double entendres. I’d say, the sequences and some of the dialogue will stun you. But it’s fun nonetheless, with hilarity unlimited. In fact, it’s a movie that can ideally be referred to as a ‘de-stressing entertainer’.

Any blemishes? Though there’s hardly a dull moment in its swift screenplay, I wish to add, KYAA SUPER KOOL HAIN HUM droops faintly in the middle, but again concludes on an unpredictably sprightly high. Besides, there are some jokes that work big time, while a few only try very hard to evoke mirth.

The soundtrack is scored by numerous music composers and the tunes are energetic and utterly in sync with the spirit of the movie. ‘Dil Garden Garden Ho Gaya’, ‘Shirt Da Button’ and ‘UP Bihar Lootne’ are wonderful tracks, bringing the youthful zest to the fore. Even the track during the end titles is high on energy. Ravi Walia’s cinematography is lively, with each frame appearing vibrant. I’d like to make a special mention of the dialogue. Witty to the core!

The show belongs to the two lead actors and together they’re a riot! Both Riteish and Tusshar are known for their impeccable comic timing. Riteish is terrifically hilarious in this side-splitting act. Tusshar is equally compelling and does incredibly well. In fact, both Riteish and Tusshar act in tandem and complement each other delightfully. Neha Sharma and Sarah Jane Dias get it right. Their confidence, enthusiasm and lack of inhibitions while partaking in a naughty scene, delivering a wicked line or sporting a reveal-it-all outfit gives the film further impetus.

Anupam Kher is admirable and adjoins qualitative value to the movie. Chunkey Pandey is hilarious, especially in the introductory sequence. Howard Rosemeyer is uniformly wacky. Ditto for Razzak Khan. Kavin Dave is perfect. The pug is endearing in a significant role. Rohit Shetty and Mushtaq Shiekh make pleasant cameo appearances.

On the whole, KYAA SUPER KOOL HAIN HUM is sure to get the affirmation nod by its target audience — the youth. Despite the sexual tone, adult jokes, impish humor, the movie, at no juncture, gets offensive, distasteful or objectionable. In fact, it’s one big joyride from commencement to conclusion. This one is for the masses, for youngsters, for those who loved part one and enjoyed its crazy hilarity. KYAA SUPER KOOL HAIN HUM offers entertainment, entertainment and only entertainment in large doses!
Saturday, July 14, 2012

Awara (2012) Jeet - Sayantika | Blockbuster - Suparhit

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After releasing Jeet-Sayantika's Awara, SVF got another superhit blockbuster movie in there history. After a long time bengali industry got a blockbuster movie, Here is the story of this movie; Writen by Subham.

After completing M.SC (computers),Surya (Jeet) wanders around Kuchbihar city without any job and falls in love with Poulami (Sayantika) at first sight.Poulami avoids Surya initially but soon develops soft corner towards him. She is sister of a builder in Kolkata , The Charecter pays by Asish Ji.but she lives with her cousin Madan Mohan (Kharaj) in Kuchbihar.Now the drama shifts to Kolkata Surya comes to Kolkata When Poulami shifts there A rowdy called Tony (Mukul Dev) vows that he would marry Poulami Only.The rest of the film is how Surya Takes on Tony....
Awara Is Based on the story that shows the kind of awarapan the hero does to get his love. Actor Jeet is playing the charecter of 'Surya' who came to stay at 'Poulami' (charecter playd by actress Sayantika) residence as a tenant. Surya from then onwards started to follow Poulami everywhere & fought to protect her from the goons. Jeet & Sayantika both played a charecter shows awaragiri at most. Quite a few dialogues will definitely stay in the mind of viewers and one of them for sure is "Maa-r gur diye ruti, Chini diye cha, Phu diye kha"
What do you expect from a Jeet's Film?Entertainment, right! From the word go, Awara offers it aplenty. Full of comedy , 'Markatari' Action.. Awara is a complete paisa vasool entertainer....
Now Come The Detail... Music Of The Film hit the audience very well... they tune it when they not seee the film or when they come out from the hall...Music Is By Duo Jeet Ganguly And Dev Sen. Jeet Ganguly gifted us thousends of hits and he maintain it with two track Porley Mone And Moner Radio... Dev Sen He Is A New Comer... He Done Music Before In Some Films Like Mone Pore Aajo Seidin But Not Much Appriciated But In This film the Title track (Main Awara) and Phool Koli Is Now the tune of herat of the young genaration.. He Has Done A Favolous Job...And The Background Score Is By S.P. Venkatesh And He is old and Genuine..
Now Come to the direction... Ravi Ji is a favolous director all knows and he proved it once again. The Main Story Is Based On Krishna (2008) {Telugu}... But There is some new filcks which filmed vrey nicely and all credit goes to the director...
Now N.K.Salil The Script writer. There Is A Number of one liners in this film and audience connects it very well. For Some Those People Who Thought Remake Of A Film Doesn't need a writer listen it there is the main thing is dialouge in bengali which is not a joke...
Fight Master Raki Rajesh Done It Again The Main thing in this film is the fight and it's unique...And Mohan Ji Baba Sir MD. Kalam Done Their Job As They Do All The Time.
On the whole AWARA......... Fultu entartainer....Go And Watch... I Gaurenty you total paisa woosul film....

I think this film got 10 out of 10.
Friday, July 13, 2012

Awara (2012) Bengali Movie First Review - Story

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Movie Name Awara
Year: 2012
Starcast: Jeet & Sayantika


Movie Review

After completing M.SC (computers),Surya (Jeet) wanders around Kuchbihar city without any job and falls in love with Poulami (Sayantika) at first sight.Poulami avoids Surya initially but soon develops soft corner towards him. She is sister of a builder in Kolkata , The Charecter pays by Asish Ji.but she lives with her cousin Madan Mohan (Kharaj) in Kuchbihar.Now the drama shifts to Kolkata Surya comes to Kolkata When Poulami shifts there A rowdy called Tony (Mukul Dev) vows that he would marry Poulami Only.The rest of the film is how Surya Takes on Tony....
Awara Is Based on the story that shows the kind of awarapan the hero does to get his love. Actor Jeet is playing the charecter of 'Surya' who came to stay at 'Poulami' (charecter playd by actress Sayantika) residence as a tenant. Surya from then onwards started to follow Poulami everywhere & fought to protect her from the goons. Jeet & Sayantika both played a charecter shows awaragiri at most. Quite a few dialogues will definitely stay in the mind of viewers and one of them for sure is "Maa-r gur diye ruti, Chini diye cha, Phu diye kha"
What do you expect from a Jeet's Film?Entertainment, right! From the word go, Awara offers it aplenty. Full of comedy , 'Markatari' Action.. Awara is a complete paisa vasool entertainer....
Now Come The Detail... Music Of The Film hit the audience very well... they tune it when they not seee the film or when they come out from the hall...Music Is By Duo Jeet Ganguly And Dev Sen. Jeet Ganguly gifted us thousends of hits and he maintain it with two track Porley Mone And Moner Radio... Dev Sen He Is A New Comer... He Done Music Before In Some Films Like Mone Pore Aajo Seidin But Not Much Appriciated But In This film the Title track (Main Awara) and Phool Koli Is Now the tune of herat of the young genaration.. He Has Done A Favolous Job...And The Background Score Is By S.P. Venkatesh And He is old and Genuine..
Now Come to the direction... Ravi Ji is a favolous director all knows and he proved it once again. The Main Story Is Based On Krishna (2008) {Telugu}... But There is some new filcks which filmed vrey nicely and all credit goes to the director...
Now N.K.Salil The Script writer. There Is A Number of one liners in this film and audience connects it very well. For Some Those People Who Thought Remake Of A Film Doesn't need a writer listen it there is the main thing is dialouge in bengali which is not a joke...
Fight Master Raki Rajesh Done It Again The Main thing in this film is the fight and it's unique...And Mohan Ji Baba Sir MD. Kalam Done Their Job As They Do All The Time.
On the whole AWARA......... Fultu entartainer....Go And Watch... I Gaurenty you total paisa woosul film....

Cocktail (2012) Hindi Movie Review | Storyline | Plot

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Cocktail (2012) Hindi Movie Review | Storyline | Plot

Cocktail (2012) Movie Review-

Meera [Diana Penty] starts living with Veronica [Deepika Padukone], after she gets dumped by Kunal [Randeep Hooda]. Meera is very desi at heart and also an introvert, while Veronica is a wild-child. Though the two are poles apart, they get close within days of getting to know each other. Enter Gautam [Saif Ali Khan], who has a torrid affair with Veronica and starts living with her. It’s a no commitments relationship. Meera, however, dislikes Gautam. But the unthinkable happens: Gautam and Meera fall in love.

First things first! COCKTAIL represents a mélange of three divergent characters: Saif is wacky and outrageous, Deepika is intense and wild and Diana is calm and undemanding. Whip and fluff up the three and the title seems completely justified. Also, the three characters experience a ‘cocktail’ of emotions: Love, lust, laughter and of course, all that comes with heart-break.

Homi Adajania, who made his directorial debut with BEING CYRUS, attempts a rom-com in COCKTAIL with effortless ease, handling a number of sequences with dexterity. Come to think of it, COCKTAIL is a complex film, which reflects the complexity and intricacies of human relationships. The highpoint of the film is the three sharply defined characters, besides, of course, the styling and visuals.

But this slice-of-life film skids in the post-interval portions. In fact, if the first hour is absorbing, fascinating and pleasurable, hitting the right notes when required, the second hour is half as exciting as the first. What ails the film? Well, too many songs, an over-stretched story, the inconsistent screenplay, the beaten to death finale and the lethargic pacing.

It would be blasphemous if one were to ignore the styling of the characters in this movie [Anaita Shroff Adajania]. Graceful designs dictate the wardrobes of the lead actors in COCKTAIL, which not only seizes your attention, but also takes fashion trends frontward. The soundtrack of COCKTAIL [Pritam] strikes the right chords. ‘Tumhi Ho Bandhu’, ‘Daaru Desi’ and ‘Yaariyaan’ reflect the mood of the film brilliantly. Salim-Sulaiman’s background score is classy and effectual. Anil Mehta’s cinematography gives the film the international feel. In fact, the film has several stunning visuals. The dialogue seem straight out of real life, but are wicked at times too ['I am carrying his bun in my oven'].

After LOVE AAJ KAL and AARAKSHAN, Saif and Deepika team up for the third time and the chemistry and comfort between the actors is unmistakably obvious. Saif has that flair for rom-coms and Homi injects the Delhi flavor into his character, which makes his character all the more notable. Saif fits into his character fluently and leaves a deep-seated impression. The scene stealer is, without doubt, Deepika, who not only looks sizzling hot, but pitches in her career-best performance. She lets herself loose, surrenders to her character wholly and nails the performance. It’s an incredibly noticeable act. It wouldn’t be erroneous to state that COCKTAIL would do for Deepika what JAB WE MET did for Kareena.

Diana, who makes her acting debut, gets to portray a rather difficult character for her debut film. There’s a very disarming kind of innocence that she brings to the role and she impresses a great deal. Dimple Kapadia is in terrific form, portraying the atypical North Indian lady with gusto. Boman Irani is first-rate, especially in sequences with Dimple. Randeep Hooda’s character is under-nourished.

On the whole, COCKTAIL has a fascinating first half, charismatic performances, harmonious music and the trendy look and styling as its aces, but the second half is not as tempting or intoxicating as the first hour. It pales when compared to the attention-grabbing first hour. Yet, all said and done, this one’s primarily targeted at the Gen Next, especially those in metros, who might identify with the on-screen characters.
Saturday, June 23, 2012

Teri Meri Kahaani (2012) Hindi Movie Review

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Tags: Teri Meri Kahani 2012, Hindi Movie, Bollywood Movie, Exclusive Review, Sahid Kapoor, Priyanka Chopra.

Review:

A self-declared Yash Chopra fan, Kunal Kohli has had a remarkable career thus far. He didn’t have a great beginning with MUJHSE DOSTI KAROGE, but surprised one and all with his dexterity in films like HUM TUM and FANAA. THODA PYAAR THODA MAGIC couldn’t restructure the magic of HUM TUM, but all eyes are on his new outing TERI MERI KAHAANI. The question is, will he be able to strike a chord this time?
Friday, June 22, 2012

Gangs Of Wasseypur (2012) Hindi Exclusive Movie Review

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Gangs Of Wasseypur (2012) Hindi Exclusive Movie Review

Review: 

Anurag Kashyap is in receipt of enthusiastic evaluations for GANGS OF WASSEYPUR, prior to the film’s theatrical release in India. Subsequent to its unveiling at Cannes this year, GANGS OF WASSEYPUR has harvested buoyant acknowledgment, is fervently anticipated and highly estimated. The film has been prized by assessors for its authoritative and engaging plot, vengeance being its nucleus subject matter.
Saturday, June 16, 2012

Ferrari Ki Sawaari (2012) Exclusive Movie Review

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Tags: Ferrari Ki Sawaari Review, Ferrari Ki Sawaari Hindi Movie Full Review 2012, Ferrari Ki SawaariStoryline 2012, Ferrari Ki Sawaari 2012 Movie Plot.
Ferrari Ki Sawaari (2012) Exclusive Movie Review

Movie Name: Ferrari Ki Sawaari
Year: 2012
Rating: 4/5

Movie Review:

A young kid, Kayo [Ritwik Sahore], thinks of nothing but cricket. His father, Rusy [Sharman Joshi], thinks of nothing but his little boy. To fulfill his son’s dream of playing at Lord’s cricket ground, the honest and upright Rusy performs the first small act of dishonesty in his life. He borrows a gleaming red Ferrari. Just for one hour. The only trouble: He doesn’t inform its legendary owner. A wild, breathless, bumpy ride begins.
Saturday, June 9, 2012

Shanghai (2012) Hindi Movie Exclusive Review

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Tags: Story Of Shanghai 2012, Shanghai Review, Shanghai Plot.

Review:

Political thrillers are a much abused genre, but it’s not frequently that movies confer us with what SHANGHAI offers: A political thriller wherein the politics seizes precedence over the thriller element. It’s more of a reality check about where India stands in the present day. In the context of the film, we have this dream of a Shanghai like city, where there is commerce, eminence, capital and the material comfort. But the reality is something else!
Friday, June 1, 2012

Rowdy Rathore (2012) Hindi Movie Exclusive Review

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Tags: Rowdy Rathore Review, Rowdy Rathore 2012 Hindi film Review, Rowdy Rathore Aksay Kumar Full Storyline.

Released On: 1 Jun 2012
Directed By: Prabhu Dheva
Starring: Akshay Kumar, Sonakshi Sinha, Kareena Kapoor, Prabhu Dheva, Paresh Ganatra, Mumait Khan, Shakti Mohan, Maryam Zakaria, Nasser, Jayant Gadekar, Kaajal Vashisht, Mushtaq Khan, Yashpal Sharma, Anant Jog, Darshan Jariwala
Rating: 4 Out of 5.
Review By: Taran Adarsh

Bikram Singha (2012) Bengali Movie Exclusive Review

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Tags: Bengali Movie Review, Bikram Singha Review, Bikram Singha The Lion Is Back Exclusive Review, Review Of Bagla Movie Bikram Singha.

Movie Name: Bikram Singha - The Lion Is Back

Year: 2012

Starcast: Prosenjit & Richa

Eksay Movies Production


His Rating: 7 Out of 10.

Review:--------

Enjoyable hardcore commercial movies have always found favour among Tollywood cinegoers,
thereby explaining why such films tend to open really big at the box-office. During the late ‘90s and the early 2000s, Prasenjit Chatterjee was more popular as ‘Posenjit’ among the masses. He ruled the roost in this particular genre of movies, pairing up with director Swapan Saha, more often than not. Most of these movies managed to set the cash-registers jingling although critics generally cringed at them. During the recent years, the baton of appearing in the lead roles of big-budget mainstream flicks has passed on to younger heroes - the names of Dev and Jeet spring foremost to the mind in this regard - while Prosenjit has moved on towards more meaningful cinema - think Autograph, Moner Maanush, Biashe Srabon. Director Rajib Biswas of Amanush and Paglu fame does a star turn by bringing back Prosenjit Chatterjee to commercial movies with his latest flick Bikram Singha – The Lion Is Back. The movie does have its drawbacks, but Prasenjit’s towering screen presence ensures that Bikram Singha is definitely worth a watch.
Saturday, May 26, 2012

Arjun The Warrior Prince (2012) Hindi Movie Review

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Tags: Arjun The Warrior Prince 2012 Movie Review Storyline Plot, Exclusive Review Of Arjun The Warrior Prince 2012, Latest Bollywood Hindi Movie Arjun The Warrior Prince 2012 Review, Story Of Arjun The Warrior Prince 2012.

Review:

I genuinely feel that Ramayana and Mahabharata are most fascinating and spellbinding stories. These epics are simply perfect, unique and beyond compare. Naturally, it doesn’t come as a surprise that Ramayana and Mahabharata have inspired film-makers in every decade. Though narrated inestimable times on celluloid, director Arnab Chaudhuri attempts an animated mythological that makes you sit back and relish the legend on screen — ARJUN THE WARRIOR PRINCE.

Told with elegance, ARJUN THE WARRIOR PRINCE catches your attention for varied reasons: The animation, which is vivacious and vibrant, the energetic combat scenes, but most importantly, it’s narrated in the most simplistic manner. For those who’re well aware, and even those who aren’t, it’s a faithful retelling of one of our favorite stories. Even the speech is not chaste Sanskrit and strikes a chord with the viewer.

The epic animated feature narrates the heroic journey of the legendary warrior prince, Arjun, from the days of his youthful innocence to his emergence as a valiant hero, who single-handedly took on an entire army. It explores his life with his brothers in Hastinapur, his training and education and his ultimate discovery of the warrior within himself.

While ARJUN THE WARRIOR PRINCE takes a step frontward as far as the animation is concerned — the conception artists have worked really hard to recreate the era, while the animators breathe life into them — the two issues that I have with the film is [i] The leisurely pacing, at times, destabilizes these efforts and [ii] The culmination seems abrupt. Ideally, one would’ve expected the storyteller to include the historic Kurukshetra war between Pandavas and Kauravas, but it concludes prior to that. Seems like the director was in a tearing rush to conclude the film.

Yet, despite the inadequacies, I’d like to make a special note of the animatronics here, which is more refined than the animation films made in India. The animation is not superlative, but much superior to most we’ve witnessed thus far. If you’ve braved the animation films made in India in the past, this one will come as a pleasant and welcome change.

On the whole, ARJUN THE WARRIOR PRINCE needs to be watched for its animation, for its storytelling and most importantly, it makes an earnest effort to relive the mythology.

Yeh Khula Aasmaan (2012) Hindi Movie Review

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Tags: Movie Review Of Yeh Khula Aasmaan, Yeh Khula Aasmaan 2012 Hindi Movie Review, Yeh Khula Aasmaan 2012 Hindi Bollywood Movie Storyline Plot And Review.
Yeh Khula Aasmaan (2012) Movie Review

Review:

With the surfacing of quality logical cinema, the film industry is no longer about mainstream masala movies. YEH KHULA AASMAAN is yet another film that intends to stir the soul with a heartwarming tale.

YEH KHULA AASMAAN deals with imperative matters of our life, besides bringing back the spirit of kite flying, a great Indian tradition since many generations. The film also attempts to tell the viewer that there are no failures, only setbacks, and one needs to move forward. The message, told in the most subtle manner, does come across effectively in the closing stages.
Friday, May 18, 2012

Department (2012) Hindi Movie Review | Storyline

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Tags: Department Review, Department 2012 Hindi Movie Review, Department Exclusive Review, Department 2012 Film Review, Department Amitabh Bachan, Department Sanjoy Dutta, Department First Review.
Review:

For a really long time, he has been attempting the kind of movies he aspires to make, with not much concern for the BO. The uneven response to his last few films at the ticket window hasn’t shaken the confidence that viewers have in his abilities. His past few films were nowhere close to SHIVA, RANGEELA, SATYA, COMPANY, BHOOT, SARKAR, SARKAR RAJ and RAKTA CHARITRA-I, but regardless of the BO outcome, Ramgopal Varma is one film-maker who continues to make movies that he believes in.
Tuesday, May 15, 2012

Dangerous Ishhq (2012) Hindi Movie Review

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Tags: Dangerous Ishhq Review, Dangerous Ishhq Bengali Review, Dangerous Ishhq Full Story, Dangerous Ishhq 2012 Review, Dangerous Ishhq Review Download, Dangerous Ishhq Exclusive Review.
Dangerous Ishhq

Movie Name: Dangerous Ishhq
Year: 2012
Review Date: 15.05.2012
Rate: 3/10
Sunday, May 6, 2012

Teen Yaari Katha (2012) Bangla Movie Review | Storyline

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Kolkata May 5, 2012 (Washington Bangla Radio / Penning Creations) Buddy flicks are extremely rare in the Bengali film industry. While Bollywood has been churning out movies belonging to this genre with regularity over the years (think: ‘Dil Chahta Hai’, ‘Rang De Basanti’, ‘3 Idiots’), Tollywood Kolkata Bangla movie fans have been forced to stay content with the occasional ‘Rang Milanti’ (which was, admittedly, beautiful!) or the downright mediocre ‘Best Friend’.

         In 2006, director duo Abhijit Guha and Sudeshna Roy had teamed up to make a film called ‘Teen Yaari Katha’, which exclusively delved into the topic of male bonding. However, the movie got stuck with the censors and general movie buffs were denied the privilege of catching it at the theaters.

While we had been looking forward eagerly to the day when ‘Teen Yaari Katha’ would finally hit the screens, the movie had been making waves in the international circuits (it had been screened at the Osian Film Festival, the World Film Festival of Bangkok and even the Kolkata Film Festival). Understandably, expectations were immense from the movie. ‘Teen Yaari Katha’ turns out to be one of the very few films that fully manage to live up to its hype. A must-watch, indeed!

‘Teen Yaari Katha’ introduces us to the world of three friends. First, there is the young (and rather foul-mouthed!) newspaper hawker ‘Bireshwar/Biloo’ (Sujan ‘Neel’ Mukherjee). Having lost his parents in an accident at a young age, ‘Biloo’ now lives with his grandmother (the late Gita Dey) at his maternal uncle, ‘Manik Samanta’s (Biplab Chatterjee) place. Providing ‘Biloo’ company are his two friends, the educated job-seeker ‘Atanu/Antu’ (Parambrata Chatterjee) and the moody and illiterate ‘Shyamal’ (Rudraneel Ghosh). The three have their daily dose of squabbles (and even fights!), but, at the end of the day, ‘Biloo’, ‘Antu’ and ‘Shyamal’ remain ‘friends-for-life’ in the truest sense of the phrase.

        Our three leading men have unique personal traits of their own too. ‘Antu’, the most serious one in the group, harbours romantic feelings towards his theatre acting classmate ‘Dola’ (Gargee Roychowdhury). While ‘Antu’ calls her ‘Dola-di’, he cannot prevent himself from feeling protective towards her and disapproving of her ambitions to leave theatres to try her luck in serials. He even scoffs at the (slightly!) bold dresses that ‘Dola’ has to slip into for photoshoots! The two get separated though, with ‘Dola’ heading off for Kolkata, in search of her big acting break. Next up, we have the rustic ‘Shyamal’, who is smitten by ‘Mamoni’ (Rimjhim Mitra), the daughter of ‘Biloo’s uncle. ‘Shyamal’ picks up and drops ‘Mamoni’ on her way to college everyday and tries to think up of wacky (and futile!) plans to impress her. Finally, ‘Biloo’ loves to catch a sight of one of his newspaper customers (Paoli Dam) everyday. None of the three have any concrete plan to give a proper shape to their romantic aspirations, but each of them has a little place in their respective hearts for their beloved ones. Sweet indeed!

         The lives of the three friends (or, more particularly, those of the slightly perverted ‘Biloo’ and ‘Shyamal’!) are enlivened by the arrival of the married couple ‘Ajay’ (Saswata Chattopadhyay) and ‘Sreeradha’ (June Maliah) as tenants at ‘Biloo’s house. ‘Biloo’ finds ‘Sreeradha’ as the perfect epitome of a ‘sensuous boudi’ and (often with ‘Shyamal’ in tow!) loves to ogle at her whenever he can. ‘Biloo’ and ‘’Shyamal’ even drill a hole in the wall of their adjoining rooms, just to catch ‘Ajay’ and ‘Sreeradha’ during some intimate moments. The couple, however, are far too burdened by their poverty to be aware of the lecherous glances of the young men. In fact, they have sinister intentions of their own. How would things pan out in the end? Will our three protagonists finally find peace in their lives? Find the answers at the theaters!

‘Teen Yaari Katha’ presents a collage of several distinctly endearing moments, each of which is magical in its own right. Directors Sudeshna Roy and Abhijit Guha do a fantastic job of making the movie appear completely natural and spontaneous, with every onscreen incident appearing as a natural progression of the earlier going-ons. Yes, the movie looks just a bit dated (it was, after all, made more than six years back!), but the beautiful screenplay and the sheer realism of the characters easily mask that minor shortcoming. ‘Teen Yaari Katha’ once again proves that, when it comes to making a really good movie, there are no alternatives to having a really sound, tightly-woven script.

Sujan Mukherjee, as ‘Biloo’, is outstanding in ‘Teen Yaari Katha’. The manner in which Mukherjee balances the basic naughtiness of his character with his deep, underlying love for his friends is truly worth a hearty round of applause. The actor is also quite convincing while uttering the (many!) cuss words (yes, the movie can easily compete with the likes of ‘Delhi Belly’ on that count!). Rudraneel Ghosh, as ‘Shyamal’, is nothing short of magical too. His obvious delight at being able to give ‘Mamoni’ daily rides on his auto-rickshaw is beautifully portrayed in ‘Teen Yaari Katha’. Viewers would truly feel for ‘Shyamal’ as he grows increasingly frustrated by the way in which ‘Mamoni’ keeps on cold-shouldering him. Parambrata Chatterjee, as ‘Antu’, is steady. The Param-Gargee track is easily the most mature portion of the movie and the actor shows remarkable poise during the emotional scenes. Parambrata also deliberately underacts a bit, which fits in beautifully with the exuberances of ‘Biloo’ and ‘Shyamal’.

‘Teen Yaari Katha’ also benefits from the rock-solid performances from all its supporting actors. Saswata Chatterjee, as the frustrated husband ‘Ajay’, is entirely believable. June Maliah looks sweet and is convincing as the troubled housewife (who serves as an eye-candy for ‘Biloo’!). Gargee Roychowdhury, as ‘Dola’, is impressive in a relatively complex role. In particular, the scene where it is shown that ‘Dola’ has sold off her body to bag a job for her dear friend ‘Antu’, is extremely touching. Rimjhim Mitra does not get much of a scope. Paoli Dam looks fab in the couple of scenes she has. Biplab Chatterjee is delightful with his typical ‘Bangal’ accent, as is the late Gita Dey. Rajesh Sharma, in a small cameo as the goon ‘Sentu-da’, is hilarious. The others, in bit roles, do an efficient job.

At a running time of a tick under two hours, ‘Teen Yaari Katha’ is a perfect example of how the narrative of a well-crafted, crisp tale on male bonding should be. Sujay Dattaray does a marvellous job as the editor of the film and there is not a single moment in the movie that the audience is likely to find boring. The delicate mix of fun moments (‘Biloo’ trying to strangle ‘Shyamal’, simply because the latter had accidentally burnt his porn magazine, for example!) and sequences with subtle and sensitive messages take ‘Teen Yaari Katha’ to a different dimension altogether. The climax, where the three friends dream that the ladies they love get on with them in ‘Shyamal’s auto, is a masterpiece too. Just one word for this parting sequence – Wow!

Bhoomi’s music also adds to the overall charm of ‘Teen Yaari Katha’. The songs are situational, with ‘Jiboner Ei Pothey Pothey’ having an almost ethereal feel about it. ‘Paray Paray’, the Saraswati Puja-song, is a nice composition too. Dialogs are smart and witty and, as and when required, truly touching. The movie does not rely on glossy sets to try to bring an attractive feel to it. Instead, cinematographer Debnath Gangopadhyay focuses on capturing the little details that help ‘Teen Yaari Katha’ look really authentic. A case in point would be the scene where ‘Mamoni’ ignores ‘Shyamal’ to get on another auto, which has the following words painted at its back – ‘Dekhbi aar jolbi, luchir moto fulbi’ (you’ll keep burning with jealousy)! The background score is also absolutely in sync with the movie.

Directors Sudeshna Roy and Abhijit Guha not only display admirable guts to select an unconventional theme for ‘Teen Yaari Katha’, but they also see to it that the movie turns out to be a really memorable affair. All the young actors have come a long way since ‘Teen Yaari Katha’ and each of them have become eminent Tollywood stars, but there were enough sparks in their performances in this movie to identify the immense acting prowess they had even at that early stage of their respective careers. As they rightly say, morning shows the day!

‘Teen Yaari Katha’ was made in 2006, but movie-lovers had to wait till 2012 to catch the movie in cinemas. The all-round, fantastic nature of ‘Teen Yaari Katha’ proves one thing however – some good things in life are certainly worth the wait!

Review Source: http://www.washingtonbanglaradio.com/content/54354612-wbri-movie-review-teen-yaari-katha-2012-well-crafted-bengali-film-male-bonding-wort

Thursday, May 3, 2012

Jannat 2 (2012) Exclusive Movie Review - Storyline

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First Movie Review Of Jannet 2

The Bhatts have the utmost number of films which have developed into a victorious franchise. MURDER 2 has hit the bull’s eye, JANNAT 2 opens this Friday, while RAAZ 3 and AASHIQUI 2 arrive later this year. So what does a film franchise precisely connote? It symbolizes a series of films wherein the title and certain constituents of a movie remain the same, but the story alters in every installment. JANNAT was about a man’s pursuit for heaven, the gluttony to attain the extravagance in life as hastily as possible. But there’s a disparity between the two motion pictures. JANNAT explored the dark side of the cricketing world, while JANNAT 2 underlines arms trafficking.
Arms trafficking, also known as gunrunning, is the unlawful trading or smuggling of contraband weapons or ammunition. We have witnessed a number of films on drug trafficking and human trafficking, but arms trafficking has a far more deadly effect on humankind. JANNAT 2 is an unsettling motion picture that exposes the arms trade in the capital. Illegal arms are sold and bought with effortless ease and this film throws light on how the ammunition reaches the hands of the common man. The unlawful weapon trade is a flourishing business that JANNAT 2 enlightens you about. For the first time, I guess, a Hindi movie explores the precarious issue, with a stimulating romance elegantly interlaced in the narrative.
Much like Bhatts’ past endeavors that borrow from factual life, JANNAT 2 is a well-explored theme. Thematically, there is a traceable semblance with the Nicolas Cage starrer LORD OF WAR, which was about international arms trading. Conversely, JANNAT 2 is very desi at heart and strives to shed light on the illicit weapons trade in North India. JANNAT 2 is a compelling account of a conflicted man who ultimately faces the effects of his deeds. The movie advocates that firearms and cartridges are the actual perpetrators accountable for the fatalities and killings of blameless people. JANNAT 2 is ingeniously fashioned and skillfully filmed, while the characters are pertinent and compelling.
Sonu [Emraan Hashmi] is a smooth-talking street-smart gunrunner, who has the gift of the gab and knows his trade inside out. ACP Pratap [Randeep Hooda] is a hardened maverick cop, who has a personal vendetta against the gun nexus. He will go to any lengths to crack down this nexus and he handpicks Sonu to do this job, as he is the perfect candidate to enter this racket undercover and expose everybody involved in the unlawful weapon trade.
Sonu falls in love with a young doctor Jhanvi [Esha Gupta] along his journey and that throws his life’s course into a tailspin with unforeseen and far-reaching consequences for all three of them.
Emraan is not merely the protagonist of JANNAT 2, in view of the fact that the entire film is told from his standpoint, he’s also the chronicler of the film, guiding the viewer through the events of the movie and in actual fact unraveling the story on screen. While the movie relies profoundly on Emraan’s amazing abilities, director Kunal Deshmukh and writer Shagufta Rafique deserve brownie points for the movie’s visual technique and taut writing. The duo justly enlighten us about the millions involved in the illegal trade and how many hands a single bullet passes through on its trip from its creation to its ultimate destructive use. JANNAT 2 is not a light-hearted movie or an action flick as the trailers may try to depict. Some of those elements are also part of it, but at the end of it all, the motion picture has a persuasive message to transport. An incredibly compelling film on a solemn issue!
While the first hour of the movie sets up the stage for a fascinating second hour, it’s actually the intermission point that literally sets the ball rolling. Kunal and Shagufta reserve the best for the post-interval portions. The drama is captivating and the graph of the film only scales uphill. The twists and turns in the plot [followed by a super suspense towards the end] and the vital chase sequence in the dargah form the major highlights of the film. In fact, getting the second hour right is nothing short of a challenge for film-makers and a majority of films stumble and stagger in this hour, but not JANNAT 2. The tempo is consistent throughout; maintaining the undercurrent of anxiety unswervingly. There’s no tedious moment, it keeps the spectator absolutely engrossed in the on-screen occurrences. The Northern flavor coupled with the acidic dialogue [Sanjay Masoom], lingo and abundant usage of expletives makes it appear so very bona fide. All things considered I must adjoin at this juncture that every part of the lavish praise and plentiful admiration for this spellbinding fare goes to its proficient director, Kunal Deshmukh.
JANNAT 2 is a tremendous album, with Pritam delivering a rich soundtrack. The placement of songs is most appropriate as well. I’d like to make a special mention of the background score [Raju Singh]. It’s electrifying! The DoP’s [Bobby Singh] contribution is commendable. His images are so significant to the attitude of the motion picture. Ditto for the action and chase sequences [Javed-Ejaz].
Emraan Hashmi plays Sonu Dilli, a street-smart brat who is a combination of fortitude and charisma, effortlessly. Trust me, you cannot envision anyone else doing what he does. Emraan, with his credible act, makes the devil seem charming and wickedness, charismatic. In fact, the actor is sure to astonish you with the mellowness of his performance. Randeep Hooda made you sit-up and notice his talent in ONCE UPON A TIME IN MUMBAAI and SAHEB BIWI AUR GANGSTER and now, once again in JANNAT 2, the actor delivers yet another knockout performance. He dominates in several sequences, making you realize that if given an opportunity, the guy can steal the thunder from the best of actors.
Debutante Esha Gupta enchants you with her captivating charm. She appears a tad unrefined at places, nonetheless she handles her part assertively. Manish Chaudhuri, who was wicked as hell in the recent BLOOD MONEY, outshines himself in JANNAT 2. He’s simply superb! Brijendra Kala is admirable as Randeep’s trusted colleague. Sumit Nijhawan, as Sarfaraz, is effective. Mohd. Zeeshan Ayyub, as Emraan’s friend Balli, is top notch. Arif Zakaria is excellent.
On the whole, JANNAT 2 is an engaging film with tremendous appeal for the masses. An absorbing story, a swift and coherent narrative, exemplary direction, fantastic action, soothing music and stellar performances summarize the highlights of this triumphant franchise.
 
Review by – Taran Adarsh
Sunday, April 29, 2012

Life Ki Toh Lag Gayi (2012) Exclusive Movie Review - Storyline

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Films with the Mumbaiya flavor have, quite often, found acceptance and approval by viewers of Hindi movies. IS RAAT KI SUBAH NAHIN, PARINDA, SATYA, VAASTAV, RANGEELA, HERA PHERI, ONCE UPON A TIME IN MUMBAAI are some prominent paradigms that come to my mind instantly. Furthermore, each week, the spectators are greeting additional films that are exceedingly factual and significant, with content that is relatable. LIFE KI TOH LAG GAYI follows the footsteps of IS RAAT KI SUBAH NAHIN, but the problem is that it appeals in flashes. It holds your attention in bits and spurts. Yet, there’s no denying that debutant director Rakesh Mehta has filmed a number of sequences with expertise. Sadly, it’s the writing that lets him down. Had the writing been cohesive and editing sharper, LIFE KI TOH LAG GAYI would’ve been notches above what it is right now.
LIFE KI TOH LAG GAYI is a one-day journey of different people struggling in the city of Mumbai. They eventually end up at one place and find their ways… A tense Salman [Kay Kay Menon] is looking for the murderers of his parents, a humiliated cop ACP Chautala [Manu Rishi] is looking for four Nigerian drug peddlers with 24 hours deadline on his neck, a desperate lover Amol [Ranvir Shorey] comes to rescue his beloved girlfriend who has got married to some millionaire, a runaway girl from Chandigarh Dolly [Neha Bhasin] wants to go back home, but not before she recovers all the money she has lost in attempt to become a top heroine of Bollywood. Ajoy [Pradhuman Singh], the Bengali rockstar, advises his close friend Amol to commit suicide. All this happens in a single day in Mumbai.
It’s tough to have a start, a middle and an end for a single story, but the storyteller attempts to narrate as many as four stories in a single film. Now that’s an achievement. But, like I mentioned earlier, the stories take a long time to reach the conclusion. Also, the lethargic unfolding of the narrative is a deterrent, besides a few sequences that tend to get repetitive.
LIFE KI TOH LAG GAYI has an ensemble cast, with every actor trying to put his/her best foot forward. Ranvir Shorey is competent, while Pradhuman Singh goes over the top. Neha Bhasin catches your eye and wins your confidence. Manu Rishi is excellent, as always. He adds so much value to the film. Kay Kay Menon sparkles in his role, mainly in the final sequence when he settles the scores with the antagonist. Sharat Saxena doesn’t get much scope.
The film has a host of known actors in supporting roles, including Jackie Shroff, Shakti Kapoor, Asrani, Razzaq Khan, Neeraj Vora, Rukhsaar and Tom Alter.
On the whole, LIFE KI TOH LAG GAYI has a fascinating concept, but the writing plays the spoilsport.
Review by – Taran Adarsh
Source – Bollywoodhungama.com
Friday, April 27, 2012

Tezz (2012) Exclusive Movie Review | Storyline | Plot

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Tezz (2012) Exclusive Movie Review | Storyline | Plot 

The story of TEZZ is uncomplicated… A team of Asians place a bomb on a high-speed train. The authorities receive an anonymous threat that a triggered bomb has been planted on a bullet train operating between London and Glasgow. If the train decelerates or loses speed below a certain tempo, it will be destroyed along with its many passengers, unless a ransom is paid. The police want to stop the bombs from exploding, while the railway authorities want to save the lives of the passengers and they soon find themselves in a disagreement under the frantic pace set by these dramatic circumstances.
Does the plot sound familiar? Yes, I am sure, it sounds recognizable. But a vital clarification, before I proceed further. It’s widely discussed that TEZZ is generously inspired or a replica of the 1994 Keanu Reeves starrer SPEED. It’s also said that SPEED was a recreation of the Japanese thriller SHIKANSEN DAIBAKUHA [1975], which was also known as THE BULLET TRAIN. Reportedly, even the Thai film industry got inspired by the Japanese movie in 1977 and made a movie called 1 2 3 MONSTER EXPRESS. While the Japanese movie had the plot set on a high-speed train, SPEED was on board a bus. Without giving the plot away, I’d like to say that TEZZ does seek inspiration from the above-mentioned films, but is no replica or a duplication of the above-mentioned movies.
TEZZ is a good looking thriller filmed with expertise. Loaded with an ingenious premise, thrilling moments and action, Priyadarshan has curved it into a tremendously well-executed motion picture. The film’s sole objective is to keep moving at a feverish pace, keeping the spectator completely immersed and entertained with the on-screen occurrences. Sure, there are some unwarranted moments [more on that later!], but the pacing is so breakneck and the cinematography so superior that it’s easy to overlook the few unreasonable moments.
Shot across England with action sequences like none other, one scarcely pauses to take a breath. If you’ve ever travelled on the lightning fast bullet train, you know how terrifying the thought of an accident is. If you enjoy panic movies with ultimate action and edgy thriller suspense, then TEZZ should do the trick for you.
On the flip side, the back story of Zayed and Sameera vis-à-vis their camaraderie and solidarity with Ajay could have been more persuasive and better elucidated for a stronger impact. Only then would the episodes involving Zayed and Sameera and what prompts them to risk their lives to support Ajay in implementing his plans appear compelling. Similarly, the portions involving Ajay and Kangna, towards the latter half, appear synthetic. The eagerness and zest of a couple uniting after five years is evidently amiss. Ditto for the final moments. The hand to hand combat scenes between Anil and Ajay adds value, but appear unwarranted and only stretch the narrative inanely. Besides, the visual effects could have been a wee bit superior.
But these are trifling discolorations. The plus points effortlessly prevail over and outnumber the deficiencies here. Though there are ample thrilling moments in the enterprise, I’d like to single out two chase sequences that are simply outstanding — the first involving Sameera and the second featuring Zayed. Besides, the film lives up to its title, with the plot unraveling at a feverish pace. Last but not the least, the performances by the principal cast is a big plus.
Action choreographers Gareth Milne and Peter Pedrero, who previously worked on several international films, pool resources with Priyadarshan for high-quality action on screen. They do a remarkable job. Tirru’s cinematography deserves special mention. This must’ve been an intricate film to shoot, but the outcome is at par with any international film. The car stunts, the chase sequences and of course, the sequences in a moving train are filmed with precision. Sajid-Wajid’s musical score is satisfactory. The Mallika Sherawat track at the very outset sets the ball rolling, while the romantic track between Ajay and Kangna is smartly interwoven in the narrative.
It’s a treat watching Anil Kapoor on screen. Though the actor has been an integral part of so many movies in the past, you can never accuse him of repeating himself. Besides, he may be in his early 50s, but that hasn’t deterred Anil from performing the high-octane action stunts with flourish. Ajay Devgn excels yet again. The actor has the perfect demeanor, attitude and physical appearance for the character he portrays. Also, those who felt that Ajay had cut down on action roles of late are in for a treat. Ajay’s character has an emotional side, but it’s the action portions, which he handles like a complete pro, that makes his character even more appealing.
Kangna is an integral part of the film, but the screen time is limited. Nonetheless, her sequence with Anil towards the final moments catches your attention. Zayed doesn’t get ample scope, but he’s fantastic in the chase sequence towards the second hour. Sameera gets to do some daredevil stunts and also gets a couple of interesting sequences to leave a mark and she clutches the opportunity with both the hands. Mohanlal, an actor par excellence, gets minimal scope. Boman Irani is fantastic. One can easily rate it amongst his best works. Mallika Sherawat sizzles in the ‘Laila’ track.
On the whole, TEZZ is a taut, entertaining action spectacle. Those with an appetite for well-made thrillers should lap it up!
Saturday, March 31, 2012

Blood Money (2012) Movie Exclusive Review - Storyline - Plot | UDZ Media

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The foremost inkling you get on watching the promos of BLOOD MONEY is that it is reminiscent of Vishesh Films’ former endeavors. An aspiring middle class guy who dreams of attaining the luxuries and extravagance that life has to tender, but abruptly locates himself in the midst of notorious people indulging in nefarious deeds — a formula the Bhatts have lucratively mastered over the years. Conversely, a minuscule fragment of the media is of the opinion that it’s a rehash of the Hollywood biggie BLOOD DIAMOND. Is it? Let’s explore…
 
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